Kaoru Tanaka's 'Glowing Plants' references the UN's goal of Responsible Consumption and Production. Photo: The Star/Azman Ghani
Si Ying's 'Till The Greens Are Gone' draws from data collected from pictures of deforestation and construction work taken in Kuala Lumpur and Selangor, leading us from lively greens to the hard grey tones of the concrete jungle. Photo: The Star/Azman Ghani Jun Ong's 'Pixels' seen at the iNYALA exhibit resemble a geological terrain from afar and city facades from up close. Photo: The Star/Azman Ghaniputs plants front and centre in this interpretation of the Responsible Consumption And Production goal.
"The architectural language of the cardboard structure not only allows for structural integrity but also an intelligent soundscape and lighting system. Its modularity ensures that every component in the installation can be dismantled, reused and reimagined in the future,” says Ong.was an interactive light art exhibition at RexKL that transformed the space into a digital park.
“We work together with students and artists to create generative artworks, with the setup and mapping done by industry professionals.is a dynamic platform that brings people together to dream, learn, innovate and create a borderless experience and appreciation for the art sector through technology and sustainability,” he says.
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