NASHVILLE, March 28 — “Twenty-three in Music City / With dreams and high-heeled boots / Singin’ for a crowd of blue eyes / Will they want me too?” croons Julie Williams at the Blue Room venue in Nashville.
Speaking to AFP backstage, Williams called Beyonce’s move “a historic moment in bringing Black country to the mainstream.” The conversation about the marginalisation of Black country artists has gained new traction in the wake of Beyonce’s announcement, said Charles Hughes, author of“When we start to see things shift behind the scenes,” he told AFP, “the effect of the Beyonce moment... is going to be felt, hopefully, by these communities and musicians and songwriters and fans and others who have been trying to open the doors.
In the 1920s, industry professionals developed the terms “hillbilly” and “race” records to define popular music charts. Those labels grew into country and R&B, respectively. “The song can sound exactly the same as some other people on the radio, and they’re like, ‘Yours isn’t country,’” Prana Supreme, part of the mother-daughter act O.N.E The Duo, told AFP.Even Beyonce has said she faced industry resistance.
Trea Swindle, a member of country act Chapel Hart, said the group has noticed an attention and streaming boost since Beyonce’s announcement, adding: “It’s opening up country music as a whole to a completely new demographic.”
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