PARIS, Sept 25 — Does a female painter have a different view than that of one of her male colleagues? The Fondation Beyeler attempts to answer this question with the exhibition “Close-Up.” It brings together the work of nine women artists, including Cindy Sherman, Berthe Morisot and Frida Kahlo. is an exhibition that requires the onlooker to pay particular, close attention. The exhibit is all about the gaze, and more precisely about the “female gaze.
In less than two centuries, women have emancipated themselves from the domestic sphere and have given themselves the means to access the profession of artist. This change has been reflected in the evolution of portraiture, which also began to address important societal issues. The paintings of French artist Berthe Morisot and American artist Mary Cassatt illustrate this phenomenon. Both helped shape Impressionism and became important role models for later generations of painters.
“Today that may not sound so special, but then in those times it was incredibly important,” Theodora Vischer told the. “They created a shift, a change in perspective, from being the model, the person a painter is looking at, to being the painter herself.”
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