Cloud Gate: The Taiwanese treasure opening Dublin Dance Festival 2024

performing-arts centre, in Barcelona, their calm, softly spoken artistic director offers advice on improving certain movements for that evening’s performance. Speaking in Taiwan ese, Cheng Tsung-lung demonstrates a rapid-fire jumping sequence while two men emulate it. Near the wings, a woman turns with such purpose that she looks as if she might bore a hole in the stage., who are wearing a variety of unitards, leg warmers and headbands in shades of black and grey, could be an advertisement for.

Take That in Dublin review: ‘Whose idea was it to have stairs?’ puffs Gary Barlow as the band roll back the years with dazzling show Cloud Gate Dance Theatre was founded in 1973 by Lin Hwai-min, who as a young man had spent time at the, in New York. He essentially introduced contemporary dance to Taiwan, bringing awareness of dance as an art form and profession. This took place during a pivotal time, as Taiwan was reinventing itself after being ruled by Japan and handed back to China in 1949. By the 1970s Taiwan had entered a new phase of self-definition.

The dancers’ weekly routine may include ballet class one day, contemporary the next and street dance another day, so they can just as easily do a triple pirouette as they can spin on their backs or perform a flying somersault. To achieve the serene movement quality that is the company’s hallmark, the dancers’ daily preparation often includes a long standing meditation, to quiet the mind and bring it into harmony with the body.

“After a while, because you cannot move, your mind can also be calmed down,” Cheng continues. “You look around and see that another dancer is meditating and still functioning. With practice you get used to it.” Cheng and the artistic team took to the mountains when researching the score for 13 Tongues. They ended up incorporating incantations passed down from indigenous hillside tribes; in the performance, dancers chant as they move against the vivid backdrop where koi fish occasionally glide past. Lim Giong’s score mixes ancient melodies with electronic influences.

Source: News Formal (newsformal.com)

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