"All I needed was for one director to say yes to me—and it happened to be the biggest director in the world.”When Jillian Dion was round eight years old, she took a bus from her home of Bonnyville, Alta., to Edmonton. En route, having noticed how animated Dion—who is of Plains Cree, Métis and French-Canadian descent—was, a casting director approached her mother, handed her a business card and said to call if her daughter was ever interested in acting.
Dion never gave the idea much thought—until about a decade later, when she was on her way to the Gathering of Nations in Albuquerque, N.M., with her dad. Reading a local paper, he came across a casting call for Indigenous teens for the Terrence Malick movieand encouraged his daughter to attend. There, Dion was introduced to a woman named Rene Haynes—the same casting director she’d met on that bus years earlier. Although Dion didn’t book the part, it didn’t matter. She was hooked.
“, I went back to Alberta and did a Steven Spielberg miniseries called Into the West. I got to see what it was like on a professional set and what the responsibility was like, and I got to meet other Indigenous actors. It was such a cool world. After that, I decided to attend film school, then took a year off and then decided it was actually what I wanted to do. But I kind of just bounced around for a bit. I think for , I was really flippant about the craft of acting.
From Mini Tipi's recycled-fabric blankets to Lesley Hampton's size-inclusive apparel, aaniin is a stage for 35 Indigenous brands—and counting.
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