It wasn’t long ago that it felt like we were entering a golden age, an unprecedented period of plenty. Spearheaded by the 2015 arrival of Netflix, the streaming revolution promised freedom, flexibility and abundant choice, as well as welcome liberation from the irritating constraints and practices of broadcast networks., about the meteoric rise and fall of fictional manufactured girl-group, was made last year but is no longer available for streaming.
And they do cost money, in licence fees as well as residual payments. So the streamers have shifted from spending with giddy abandon in order to establish their brands and woo subscribers to being fearful of their future viability, and this type of content is deemed to be expendable. Richard Roxburgh as corrupt police officer Roger Rogerson in the TV series, Blue Murder, which is not available for streaming in Australia.
Think back to the dawn of the new age and the memory of the joy with which people were able to free up space as they ditched their DVDs and DVD machines, which were thought to be redundant. With streamers, people could enjoy their own video libraries any time without leaving home. And they were easily portable to boot. Even wary, slow adopters who clung to their DVDs soon found that the machines required to play them had become almost impossible to repair or replace.
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