‘We’re really funny people’: Native American director Erica Tremblay on Lily Gladstone, laughter for survival and breaking Hollywood

The film-maker’s debut is an affecting tale about the epidemic of violence against Indigenous women. She talks about her friendship with its star, and why the industry has woken up to her culture’s storytelling

Jax is not an obvious role model: she has a criminal record and teaches Roki how to shoplift when supplies are getting low. Her sister was a stripper and small-time drug dealer to the oilmen living in trailer parks near their home. “I wasn’t interested in telling a story of a model minority that does everything by the book and looks and acts a certain way,” says Tremblay.

, just at the moment when I was coming into my queerness. And at the end of the film, it said, directed by Lisa Cholodenko. And, you know, it’s weird to think now – with the internet and everything – that back then, it was the first time that I realised a woman could even do the job.” So she cashed her chips in for a job in advertising and built a successful career in New York City. But the dream of becoming a film-maker kept nagging at her. “So I just took a chance to write a short film, got into a Sundance Indigenous lab and, when my short film got into Sundance in 2020, I thought, OK, this is the sign that I should really go for it. That’s when I quit all my day jobs, moved to a remote reservation and started learning my language by day and writing at night.

Source: News Formal (newsformal.com)

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