is centred on Dorothy and Sean , a privileged couple who live seemingly charmed lives in anOr they would be living a charmed life if they hadn’t been thrown a particularly vicious curveball one afternoon.
When they welcome young nanny Leanne into their home, the strange teen seems to be connected to odd goings-on. Their meticulously appointed home feels suffocating as horrors are revealed. It’s not a gory, jump scare kind of horror – its terrors are in the manifestation of the lies we tell each other and ourselves., don’t read on just yet if you want to go in without knowing too much. But if you have and you’re keen for season two, which starts this Friday, go on.The second series is less about shock, and the concrete existence of the cult and any supernatural powers Leanne potentially has doesn’t make it all any less mysterious.
– the humanity in Sean, the cynicism as emotional defence of Julian and, most significantly, the many shades of Dorothy that was hinted and is now developed.’s leisurely pacing means the series, created by Tony Basgallop, isn’t afraid to marinate in those character moments, often without dialogue. It’s a luxury lesser shows either aren’t afforded or aren’t interested in.
While jaw-dropping revelations aren’t the main game here, there is a flip of sorts – a slow, tense build that asks its audience to really consider the dichotomy of victim and perpetrator and the easily blurred lines between the two.
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