For the second year in a row, I’ve come away from Art Dubai with the feeling that it’s distinctly different from every other international art fair. Even as I write, one of the biggest of all fairs is getting ready to launch. Art Basel Hong Kong remains Asia’s premier commercial art event, despite challenges from Seoul and Singapore.Dubai owes everything to trade and finance , yet Art Dubai is less nakedly mercantile than any fair of comparable size.
Some art fairs project a palpable desperation for sales, as if the success of the event were measured solely in terms of turnover. The organisers of Art Dubai, while eager to see healthy sales figures, have designed the fair along lines that encourage a curatorial approach. The display was divided into four sections: Contemporary, Modern, Digital, and. The latter featured solo presentations on the theme of healing, selected by Guatemalan curator, Emiliano Valdés.
The art market may be amoral, but it can work on many different levels, creating opportunities for entirely new kinds of collections from areas such as the Middle East, Africa, Central Asia and the subcontinent. This is the thrill of Art Dubai: the chance to get acquainted with artists whose entire careers have been spent away from the major centres, and those who have yet to make their mark away from home.
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