, a young woman asks Russell Crowe if she can paint his portrait for the Archibald Prize. He has been sitting quietly among the Australian art at a public gallery, contemplating his mortality. The camera lingers on his face, which now shows all of his 58 years. Where once there was the raging beauty of Maximus the gladiator, there is now a little paunch and sag, as with the rest of us.
And yet, the look he gives in those close-ups reminds us of why he is such a star. He brings gravity to anything, even a film like- which is in its origin an overly engineered caper film posing as drama, and in its realisation, something of a creative mess. It’s easy to watch because of Crowe and good casting. Whether it might have been better if not born in COVID-19 adversity, I can’t say.about five weeks from shooting, with barely anyone else cast. He re-wrote a script set originally in Miami.
A preface shows a group of four schoolboys who love poker and taking risks. Forty years later, Jake Foley is a billionaire with a health crisis. He summons the friends to a last poker game, but first, he douses their glasses with a potion that Jack Thompson, playing a shaman, has given him.Jake is supposed to use it to top himself when the time comes - but just a little of it will first make a person sweaty and inclined to tell the truth.
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