exhibition at Melbourne’s Immigration Museum has been opening doors in my brain. The installation is a simulacrum of that suburban mainstay of the late 20th century – the. It looks almost accurate, a little uncanny: VHS videos in their requisite categories line walls and aisles and browsers. Preston has created a logo and signage, right down to the branded carpet, but many of the cases still bear stickers from their original homes .
I could see how a replicated video store could represent joy, but for me, other emotions were taking over. Solastalgia is philosopher Glenn Albrecht’s term to describe the feeling of distress that comes from environmental change. While it is typically applied to the natural world, it can also relate to built environments – anywhere a person’s concept of home is disrupted, changed or eradicated. Call it nostalgia’s wounded cousin.
“You’re a clerk paid to do a job,” Dante scolds him, “you can’t just do anything while you’re working”. Randal responds by spitting water in a customer’s face before lighting out for Big Choice video, where he can borrow beyond his own store’s limited range., when single parent Lucy finds work in Max’s video shop, it appears to be the perfect family-friendly environment. Max seems like potential stepdad material.
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