had existed in ancient Rome – and he’d be the first to point out that he’s been around for a while now – they would have made him the god of pop culture. The director has a tendency to materialise in zeitgeist-defining moments, like one of those urban legends where it turns out the same spooky guy was in every single family photograph.
But speaking to Waters, you would never guess you were encountering someone so revered. As per usual, he is in Baltimore, Maryland, where he has essentially lived for his entire life, enjoying his status as the city’s patron sinner. His manner throughout an hour spent chatting is mild, engaged and perpetually amused. Despite the title of his last nonfiction book,, it doesn’t feel as though he is making any great claims to having things all figured out.
His claims of suitcase-theft innocence do lose a bit of credibility at this point, because immediately after he tells me this, I remember that there’s also a bit in the novel about shoplifting clothes that strongly resembles another scam from his autobiography. He backtracks charmingly. As ever with Waters, this subject matter is the kind of thing designed to give a censor a headache. So is it nice to write a novel and not have to submit it to the Motion Picture Association ? “It is. But what took their place was the scary thing of a sensitivity editor, I don’t know if you have them in the publishing houses of the UK? We sent it to one and she never called back and wouldn’t take the phone call.
While there are surely tone-deaf novels out there that could use a sensitivity edit, we are probably talking about books that are aiming for, you know, sensitivity. A portrait of life as it is lived. Waters couldn’t care less about life as it is lived.
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