At the same time, a half-light suffuses this album in which anything goes, dodging the logic of the day.
Songs called Into the Twilight and Morning, Noon and Night underline the liminal theme, while Eosophobia uses dub techniques, echo, stereo pans and analogue squealing to ward off the inevitability of morning. “No you don’t!” chants White, as though trying to command the sun.
Source: Energy Industry News (energyindustrynews.net)
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