How Shogun became an unlikely streaming success

, with its bloodthirsty dynastic intrigue, elaborate battle scenes, its titillating side-serve of sex and gore and casual swearing that has characters growling, “f--- this!” during naval escapes, or dissing Osaka as a “shithole”.-like quality, and it doesn’t feel remotely out of place. Perhaps that’s because most fantasy is, in fact, period fiction. Its governing paradigm is the medieval imagination and if you leave aside the dragons and ice zombies, many of the set-pieces in George R.R.

And, for all the derring-do of the show’s English adventurer, Europeans do not get the upper hand. The Japanese resisted interference from traders and missionaries, adopting the isolationist policy of, sealing itself off from the West for centuries.hasn’t attracted criticism for reflecting the values of the past.

And yet the world of the samurai has long been a staple of Japan’s rise to cultural superpower. It’s a touchstone at the highest level of Japanese screen arts, such as the Kurosawa filmsShogun’s lavish visual detail … almost spares you a trip to Japan to see the period’s treasures.is enjoyable trash, and if you object to that term, you’re in good company. I once ran into Charles Dance in a theatre foyer and made the mistake of telling him, amiably enough, that I thoughtwas “trash”.

Still, despite its success in bringing Japanese history and language to the English-speaking world, doesand the vogue for costume drama as a progressive playground?No, not really. Walter Benjamin famously described history as an angel, its wings caught in a storm, back turned forever against the future, the debris pile of the past ascending skyward before it. The debris is what we call progress, Benjamin wrote. And it’s a creative trash pile big enough for almost any kind of artistic engagement.

There’s space in the streaming world for a range of approaches to history, and any fair assessment should admit they all have advantages and drawbacks.does allow a more diverse pool of actors to perform in period works that typically would’ve excluded them or limited their roles, but it can risk whitewashing historical oppression.

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