“It’s hard to explain to people what it was like because I don’t know of any other show that had so many different styles,” Martin says. “I can’t think of a style of comedy that isn’t on that show.”, but there’s so much missing from it because of copyright issues. He says a businessman wanted $60,000 in return for allowing his cheap and nasty late-night ad to appear on the DVD; multiply that by all the material they made fun of under the rubric of review and comment, and it was just impossible.
Some of what they got up to would be impossible today. But Martin doesn’t know that the show was as cutting as some people remember it – “we were daggy more than edgy; there was the occasional bit of hard-edged satire but we were more interested in silliness” – and he doesn’t remember the lawyers getting involved, though he imagines the odd thing probably must have been censored.
Making the show was a bit like the Beatles recording the White Album. “We all had bits that we were working on that the others had no idea about until we saw them at rehearsal,” he says.They didn’t just make the whole thing, they financed large parts of it themselves, ploughing their earnings back into filming because they were determined to make it exactly the way they saw it in their minds.
Though much of each program was pre-recorded, the secret sauce was going live. “You can’t add any fake laughs, and things would regularly die onBut towards the end, the audiences became almost too willing. “Suddenly they were screaming and yelling like we were the Beatles – or, rather, like we were [fellow comedy troupe] the Doug Anthony All Stars. And I went, ‘Oh, no; you can’t tell what’s working and what isn’t anymore’.
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