Halloween and magic share a history, why did only one become cool?

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Halloween has all the good times, but its trickster relative is mostly just very, very lame. It’s time to reframe magic.

For many, it’s the most wonderful time of the year. Yes, Goth Christmas is upon us once again, darkening our souls with fun treats and costumes for kids, sexy get-ups for the adults , a deluge of demonic movies, and people getting irrationally annoyed about pumpkin spice lattes.

I’m calling for a reframing of magic. Let’s bring it back under Halloween’s careful wing and allow ourselves to believe magic is real. Halloween and performance magic actually share the same origin story when you dig into it, with beginnings in folklore, the supernatural and illusion. In 1584, Englishman Reginald Scot wrote“wherein the lewde dealing of witches and witchmongers is notablie detected”.

But perhaps herein lies the problem with magic. Does knowing it’s a trick someone has learnt and practised ruin the actual magic? Is suspending disbelief, ditching our logical brains, going with our heart rather than our heads, so hard when there’s clear evidence to the contrary? Whereas with ghosts and demons and all the other gubbins that make Halloween so enticing, is it because there’s no tangible evidence that it remains an unknown, and thus potentially –History professor Michael D.

Which brings me back to my main point: how did we get here? We had fake witches and a daredevil escape artist. That’s fun! But when I think of magic today, I think of bad hair and bad waistcoats, dry ice and terrible synth music, and tired old tricks we have seen variations of for decades. So how do we spark up magic again?cool stuff.

 

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