George Miller’s latest Mad Max instalment sends crowds wild at Cannes

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During the six-minute standing ovation, star Anya Taylor-Joy directed cameras to Miller, standing next to her. Hemsworth slapped his shoulder. All three were wreathed in relieved smiles.

The hell that is Furiosa: a Mad Max Saga broke loose on the second night of Cannes Film Festival, athe first of the festival’s event films after the opening night’s much shorter and more frivolousAnticipation grew over the day, with fans coming with chairs to nab a good spot to watch the redCannes for the screening of a documentary about her life; Baz Luhrmann, whose Elvis screened inGeorge Miller, Anya Taylor-Joy, Chris Hemsworth and his wife Elsa Pataky depart the Furiosa: A Mad Max Saga” Red...

Kidnapped in childhood and raised by a succession of monstrous villains usually at war with each other, Furiosa eventually escapes their clutches to join forces with a lone-wolf driver who ferries they hurtle along the Fury Road. Anya Taylor-Joy plays Furiosa; Tom Burke is Jack, her mentor; Chris Hemsworth is the evil Dr Dementer, the biker leader who kidnaps and adopts her.By the end of its two-and-a-half hours, there was no question that the fifth instalment of the Mad Max franchise would be an enormous hit. During the six-minute standing ovation, Taylor-Joy made a point of directing cameras to George Miller, standing next to her.

jury member, that’s a big thing. And then to have your film shown there and get the feedback almost immediately as to the worth or otherwise of your film is a really interesting thing because a film only exists in an audience, to make of it what they will.”, which went on to gain 10 Oscar nominations, also had its world premiere in an out-of-competition slot in Cannes.

 

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