Gemini Man proves Ang Lee the master of many faces

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Ang Lee’s desire to preserve tradition while moving with the times is near the heart of Gemini Man; a defiantly odd techno-thriller which, as the title indicates, is all about dualities of various sorts

Ang Lee is easily mistaken for a staid, middle-of-the-road filmmaker but he has an uncommon knack for anticipating cultural shifts – prefiguring the Marvel universe inWhat unifies his career is also what allows him to leap from one genre to another: an interest in reconciling opposed principles – sense and sensibility, for instance, or the old and the new.Paramount PicturesGemini Man

Will Smith plays a middle-aged US government assassin named Henry Grogan; the best in his field with 72 confirmed kills. Burnt out and lonely, Henry decides to quit but on his trail comes another, much younger assassin known only as Junior; trained since childhood by a black-ops unit called GEMINI. His goal is to make a humanist action movie – one which delivers all the bang-bang stuff but also asks us to feel the weight of what it means to kill.

On another level the film is a technical experiment, not limited to giving us two Will Smiths for the price of one.is shot in 3D with the "high frame rate" of 120 images per second rather than the usual 24 – a tactic previously deployed by Lee in his underratedThe effect is, again, uncanny; in a manner that harks back to the transition period cinema went through roughly a decade ago when shooting in a high-definition digital format was a novelty in itself.

 

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