Drawing the 'giga-goose': How to make palaeoart

was published, one of the most eye-catching features was the art that went along with it.headed for a drink in a muddy lake by the light of a late afternoon ancient sun.had originally expected the bird to look.the group's palaeoartist Jacob Blokland ended up creating something which, by his own admission, looks "pretty wrinkly and crusty".

Freshly discovered skulls of Australia's last giant prehistoric bird reveal it had a "goose-like beak" and other aquatic adaptations.When done well, he says palaeoart can provide the "best guess" of what an animal might have actually looked like. But even the most complete skulls were crushed and damaged so Mr Blokland and his colleagues had to piece together the fragments and carefully analyse them to produce a picture of what a complete and undamaged skull might have looked like.

This work, along with the finished artwork, was done digitally on a tablet and took upwards of 80 hours to complete.While his drawing of the basic skull shape was based mainly on the fossil fragments, more detective work was required for the next step: putting flesh on the bones.Mr Blokland needed to add muscles and fat to the creature.

While not every palaeontology image includes a background, it is an opportunity to communicate more about where this animal existed.For example, according to Mr Blokland, the giga-goose would have lived in difficult times."You've got this mud under the surface that animals can walk into, but not get back out of."the team found actually broke their leg in a fall before it died.The scene Mr Blokland drew is set during sunrise or sunset, giving a darker tone to the piece.

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