“I could draw koalas that were so cute, nine-year-old Japanese girls fainted from their very cuteness, which is what I set out to do,” Done tells the Guardian.The lighthearted focus of the exhibition fills the brief of accessibility, Ngununggula’s director, Megan Monte, says.“It’s important for a regional gallery to offer diversity, and it’s incredible for kids to see the work as well as adults … [so] that they can stop and think about what art can be.
Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morningThe gallery’s name, Ngununggula , means “belonging” in the local Gundungurra language. Quilty admits there was initially some opposition, on the grounds some people would not be able to pronounce it; and the venue itself took more than five years to come into being.“But it was a once in a lifetime opportunity to get a proper regional gallery.
In Spring Season, a dozen new works by Done flood the gallery’s first space, most on a largish scale taking coral reefs as his inspiration. Several additional Done works adorn the walls of the gallery’s second space, in which Deacon’s riotous coral reef installation – originally created for the 2022 Australian fashion week show by Romance Was Born – sprouts forth from the floor.
“What are these things? I have no idea, you couldn’t look it up in a David Attenborough book,” he said, pointing to one.“What is this? I have no idea,” he continued, about another. “It’s a lot about composition, balance, a big piece here, a little piece there. It’s like a piece of music, you have to get the notes right, you have to get the rhythm right – oh, here’s a little trill thing.”
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