By resisting exposure, Gina Rinehart painted a portrait of the ‘Streisand effect’

Renaming rights, please, to be extended promptly to Gina Rinehart – not for one of the swimmers she sponsors, but for what is known as the “Streisand effect”. That is, the phenomenon of famous, powerful figures trying to suppress information about themselves, but in the attempt, attracting far more publicity of the very thing they wanted to be hidden.of an aerial photograph of her house, taken to document coastal erosion in Malibu, California.

It’s supposed to be satirical – some of his most famous pieces include portraits of himself , hanging out with the late Queen Elizabeth, or taking a newly wedded Charles and Diana on a tour of the outback.Former prime minister Tony Abbott may also like to take out an injunction – Namatjira’s 2016 portrait of him does no favours. Namatjira was gracious in his response to the attempted Rinehartian cancellation of his work. “People don’t have to like my paintings,” he said in a statement.

Rinehart has made her money skilfully reversing the fortunes of her father’s ailing company, mining Australian land that many Aboriginal people regard as stolen.In 2022, she pulled a proposed $15 million in funding from Netball Australia, after some players expressed discomfort with the prospect of wearing the Hancock Prospecting logo on their uniforms. Indigenous player Donnell Wallam

Namatjira is, of course, one of those “problem” Aboriginal Australians. He was born in 1983 in Alice Springs, in the Central Australian desert. As a child, he lived at Hermannsburg, on Ntaria country in remote Northern Territory, but when his mother died, he and his sister were placed in foster care in Perth.

Albert’s great-grandson has done something different with his art. He is wilfully anti-realist, and his work is full of savvy irreverence to the canon and, by extension, the establishment forces that have harmed and discriminated against Aboriginal people since colonisation.

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