A simmering feud between the two biggest rappers of the past decade, Kendrick Lamar and Drake, went nuclear when both artists dropped intensely personal diss tracks that included accusations of grooming, illegitimate children and violence against women, at a kind of frequency designed to break the internet.It felt like a new chapter in the infamous history of rap beef was being written, released, dissected, and debated in real time.
From that lyric, a relatively uncontroversial claim to be the greatest rapper of the current era, a feud was born that would put the entire hip-hop world on notice. Cole replied first with a track calledbefore realising he was in over his head, apologising to Kendrick and deleting the song. Drake retaliated with two tracks released in April –– the latter calling Kendrick out on his slow response time: “I guess you need another week to figure out how to improve.
Charles Holmes said that “as with most hip-hop beefs, we’ve ended up where we were always destined to — men using women, wives, baby mothers, parents, and children in increasingly gross and depraved ways to satisfy their rabid egos”. At 37 and 36 respectively, Drake and Kendrick are grown men with endless resources who have turned a sometimes funny, sometimes sharp, often brutal rap beef into a game of schoolyard taunts that no longer seems to serve a greater purpose. There is one big winner and a bunch of losers, but the two protagonists don’t slot into either category.Drake raps that “this is about to get so depressing”, but it’s clear to anyone paying attention that we’re already there.
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