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Lee Seung-gi's fans use truck to protest new romanceThe actor's fans are concerned over alleged crime related to Lee Da-in's family
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New Zealand, Australia play down differences on ChinaWELLINGTON: New Zealand and Australia downplayed policy differences on China on Monday (May 31), with Prime Minister Jacinda Ardern denying ... Ideology always takes a back seat to self-preservation. New Zealand politicians are much smarter than those of OZ they are blood brothers of the Anglo-Saxon in Asia land.
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WHO chief hails 'historic' agreement to strengthen organisationWorld Health Organization members agreed Monday to strengthen the global body at the heart of the pandemic response and give it a more secure financial base from which to tackle future health crises.
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The Mystery of Magic's Greatest Card TrickLONDON — In the late 1940s, British magician David Berglas started refining a trick that came to be known as “the holy grail of card magic.” To this day, nobody is certain how he did it. Decades into his retirement, he has revealed just about every secret in his long, storied career. This includes the time, in 1954, that he made a grand piano vanish in a London hotel banquet room filled with guests. (Distracted, the audience turned their focus in time to see a pianist — who seemed to be playing the instrument a moment earlier — fall facedown to the floor). But even now, when the subject of Berglas’ famous effect is raised, he remains as cryptic as ever. “It’s not a secret I can give to anyone because it’s not a secret as such,” Berglas, a formal and intense 94-year-old, said at his home in North London. “It’s like asking a musician who can improvise to teach you his improvisation, which of course he can’t.” Sign up for The Morning newsletter from the New York Times The trick is a version of a classic plot of magic, called Any Card at Any Number. These tricks are called ACAAN in the business. ACAAN has been around since the 1700s, and every iteration unfolds in roughly the same way: A spectator is asked to name any card in a deck — let’s say the nine of clubs. Another is asked to name any number between one and 52 — let’s say 31. The cards are dealt face up, one by one. The 31st card revealed is, of course, the nine of clubs. Cue the gasps. There are hundreds of ACAAN variations, and you’d be hard pressed to find a professional card magician without at least one in his or her repertoire. (Dani DaOrtiz, a Buddha-like maestro in Spain, knows about 60.) There are ACAANs in which the card-choosing spectator writes down the named card in secrecy; ACAANs in which the spectator shuffles the deck; ACAANs in which every other card turns out to be blank. For all their differences, every ACAAN has one feature in common: At some point, the magician touches the cards. The touch m
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