Even if you have not seen Abigail, the gore-fest film showing in Singapore cinemas, you can probably picture the monster of its title – the fangs, the blood-spattered white tutu.
Sometimes, that drama is anchored in the truths of ballet life: the pursuit of impossible perfection, the bodily sacrifice required by a physical art. But sometimes, these stories lean on the broadest cliches, using ballet as a beautiful canvas to spatter with blood.
“They’re dedicated, strong-willed and powerful,” Gillett, 42, said. “And they know how to hide all of that.” American actress and former professional ballet dancer Sarah Hay, who played damaged ballet ingenue Claire Robbins in the 2015 miniseries Flesh And Bone, drew from her experiences while shaping the character.
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