At the time, the actor couldn’t quite put his finger on why, but he at one point became so disillusioned that he resigned himself to the reality that his love for the craft may never return.winner recalled during a recent interview. “At first you’re putting it off to, ‘Well, this script is a problem, and this director is a problem.’ But then I caught myself a few times working on great things with great people and just as miserable.
“I think we’re stripping whole generations of diversity of behavior and diversity of personality,” he said, conceding that he understands concerns about sensitivity, but only to a point. “Changing one’s vocabulary or altering it in certain circumstances becomes the full-time job and reflective thought is left behind.”
Penn, like he does in many of his roles, brings a masculine energy that gives life to a brash and foul-mouthed cabbie, but one who ultimately proves to have a tenderness. Similarly, Johnson’s Girlie is a savvy, successful software engineer who appears to have it all together, but whose relationship with her father — or lack thereof — ultimately leads her to seek that love elsewhere.
Penn and Johnson have more in common than their neighborhood. Both are vocal about their frustrations with Hollywood and said this project was, coincidentally, a kind of epiphany for each of them.It’s only been a few months since she came off her press tour forwhich was a critical and commercial flop. Shortly after the film’s debut, Johnson affirmed criticism of the movie, saying she doesn’t anticipate doing another one like it.
Source: Entertainment Trends (entertainmenttrends.net)
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