Olivia Newton-John, who played Sandy in ‘Grease,’ dies at 73 | The Associated Press

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Olivia Newton-John, the Grammy-winning superstar has died. She was 73.

NEW YORK — Olivia Newton-John, the Grammy-winning superstar who reigned on pop, country, adult contemporary and dance charts with such hits as “Physical” and “You’re the One That I Want” and won countless hearts as everyone’s favorite Sandy in the blockbuster film version of “Grease,” has died. She was 73.

From 1973-83, Newton-John was among the world’s most popular entertainers. She had 14 top 10 singles just in the U.S., won four Grammys, starred with John Travolta in “Grease” and with Gene Kelly in “Xanadu.” The fast-stepping Travolta-Newton-John duet, “You’re the One That I Want,” was one of the era’s biggest songs and has sold more than 15 million copies.

Both musically and image-wise, she reinvented herself during those years. The blonde, ever-smiling Newton-John initially favored mild pop-country songs such as “Please Mr. Please” and “Have You Never Been Mellow” and soft-breathing ballads like “I Honestly Love You,” which in 1975 won Grammys for best female pop vocal and record of the year. But she picked up the tempo in “Grease,” especially after Sandy ditched her white sweaters and blouses for waist-high, black leather pants.

She had a few hits after “Physical,” but her career declined and Newton-John became more likely to make news because of her private life. In 1992, as she was preparing a concert tour, her father died and she was diagnosed with breast cancer. Her marriage to actor Matt Lattanzi, with whom she had a daughter, actor-singer Chloe Lattanzi, broke up in 1995 and a years-long relationship with cameraman Patrick McDermott ended mysteriously.

Dionne Warwick, who featured Newton-John on her 2006 album “My Friends and Me,” wrote online that “another angelic voice has been added to the Heavenly Choir.” And Lea Salonga wrote: “Rest In Peace, Olivia Newton-John. Hers was one of the voices of my childhood.” She had loved country music, especially the records of “Tennessee” Ernie Ford, since childhood, but her early success didn’t impress critics or some fellow musicians. A Village Voice review likened her to a geisha who “makes her voice smaller than it really is just to please men.

 

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