‘Master of None: Moments in Love’ struggles with saying sorry

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With a new look and a new story, the Emmy-winning Netflix series returns as both a strong LGBT drama and an awkward admission of guilt.

outside the context of its stars’ personal lives. In its first two seasons, the show acted as a sort-of diary for co-creators Aziz Ansari and Alan Yang, pondering experiences of love, family, and trying to pursue one’s career as a thirtysomething person of color in New York., feels almost like a confessional – arriving three years after the particularly messy

When conflict does occur, these characters’ sexuality is never called into question or used as fuel for drama. Denise and Alicia are proud of their ethnicity and of their being lesbian, but they’re also allowed to breathe freely as complex, occasionally frustrating characters beyond that. If Dev’s character in earlier seasons was marked by a constant restlessness and uncertainty, Denise and Alicia are certain of who they are and incredibly stubborn about what they want.

The episode is a reminder to anybody who writes or produces television that LGBTQ+ characters don’t need to be defined by their romantic relationships. Granted, in an industry that can still be incredibly regressive and tokenistic when it comes to LGBTQ+ representation – and in a world that still punishes and persecutes those who exist outside heterosexual norms – stories of sincere queer romance should always be welcome.

 

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