KALEL , 15. Jun Lana returns with another movie about issues teens faces in their lives. All screenshots from YouTube/PöFF 2019The first images of the film are of a nondescript hallway of clinic where patients, doctors, well-wishers and other denizens of the facility are going about their own business. Sounds are muffled, with all the noises of the various activities within the hospital merging to form a discomforting drone.
Lana carefully builds a world of sin and vice, one that trumps the viciousness of Kalel’s affliction.
A complex film can only work if the performances appreciate such complications. Canlas carries the film from start to finish with a performance that understands the importance of subtlety and gestures. Lana doesn’t allow his characters opportunities for grandiose displays of intense emoting, but Canlas does not need to weep or wail to telegraph the angst and anxieties of his misunderstood character.
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