Postcards emblazoned with “Greetings from” a state, city or tourist attraction advertise more than just the tiny scenes squeezed into 3D letters.
Postcard collector Peter Meggison , holds up two examples of large letter postcards from places across America going from A to Z, Akron to Zanesville, Monday, May 11, 2026, in Westport, Mass.
Peter Meggison, a 76-year-old retired community college professor, examines a"New Bedford" postcard from his private collection of more than 10,000 large letter postcards, Monday, May 11, 2026, in Westport, Mass. Peter Meggison, a 76-year-old retired community college professor, examines a"Greetings from Boston" postcard from his private collection of more than 10,000 large letter postcards, Monday, May 11, 2026, in Westport, Mass.
Postcards emblazoned with “Greetings from” a state, city or tourist attraction advertise more than just the tiny scenes squeezed into 3D letters. They also reflect American innovation and idealism in both their production and popularity.
So-called large-letter postcards weren’t new when a German immigrant named Curt Teich began producing colorful linen-textured versions in the early 1930s, but he “was kind of a genius,” said Will Hansen, curator of Americana atin Chicago, home to largest public collection of Teich postcards in the United States. Just as Henry Ford revolutionized automobile production, Teich’s company perfected a system of mass producing large-letter postcards based on the idea that no town was too small to include.
“Nobody had really pulled together the idea that we should just do these for everywhere, and that’s kind of a quintessentially American thing,” Hansen said. “You take an idea, and you perfect it and you replicate it. ” The postcards’ popularity in the 1940s, 50s and 60s was fueled by an obsession with the automobile and the adventure of road travel. Teich and his imitators used saturated colors and simplified scenes to paint an enticing view of mid-20th-century America.
“They’re very optimistic-looking,” Hansen said. “That is sort of in tandem with how Americans are thinking about America at that time — that this is a country on an upward trajectory, that we have more money to spend, that we’re able to travel freely in ways we couldn’t before. ” Peter Meggison, a 76-year-old retired community college professor in Westport, Massachusetts, has 10,000 large-letter postcards in his private collection.
His favorites include cards depicting his hometown of New Bedford, Massachusetts, and one from Saugatuck, Michigan, that features a vibrant artist’s palette as the background.
“I think it’s the graphics that appeal to a lot of people, and they really do represent mid-20th century America, which is really quite nice,” he said. For non-collectors, sending the postcards to friends and family was an inexpensive way to show off their travel. Today, travelers pose in front of murals around the country that mimic the vintage postcards and share photos on social media.
Last year, the Newberry helped The Eagles create a background of gigantic postcard images at the Sphere in Las Vegas for the classic rock band’s performance of “Take it Easy. ” Says Hansen: “Even if folks in that crowd weren’t alive at the time when these were being distributed, everybody knows them.
"Part of a recurring series, “American Objects,” marking the 250th anniversary of the United States. For more stories on the anniversary, clickCopyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
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