Jon Batiste’s Super Bowl weekend was a whirlwind of musical performances and community engagement. From his stirring rendition of the National Anthem to his Love Riot Festival in New Orleans’ Lower 9th Ward, Batiste made a lasting impact. Azu, Batiste's business partner and Culture Collective founder/CEO, shares insights into the planning and execution of these events.
Jon Batiste kicked off Super Bowl LIX proceedings with a stirring, emotional rendition of the National Anthem, seated behind a multicolored piano on the Super Dome field. This was just the most high-profile moment for Batiste, the seven-time Grammy winner and former bandleader for The Late Show with Stephen Colbert.
The day before the main event, Batiste also put on the Love Riot festival in New Orleans’ Lower 9th Ward neighborhood, which featured performances by him, Ledisi, Preservation Hall band, Flavor Flav, Dee-1 and more. Azu, Culture Collective founder/CEO and Batiste’s business partner, helped knit all that together. Azu is a Superfly and Red Light Management veteran, who also teaches music business at USC and is a governor of the Los Angeles chapter of the Recording Academy, among other endeavors. He explains his role in helping Batiste secure those events during Super Bowl weekend, as well as the other projects he and Batiste have in the works. “When you’re working with someone as innovative as Jon,” Azu says, “the best thing you can do is give them the freedom to create and then support them and lead our internal team in bringing that vision to life.” This week, Jon Batiste performed the National Anthem prior to Super Bowl LIX. How did that come together? We received a call from the team at Roc Nation, which selects all Super Bowl performers, asking if Jon would be interested in performing the National Anthem in his native New Orleans. I was thrilled that he said yes — there’s truly no one better suited for the moment than him. Additionally, the other co-producers on the halftime and pregame performances, Diversified Production Services and Jesse Collins Entertainment, were teams I had recently collaborated with on NBC’sin May of last year. Having just worked closely with them on a major live broadcast, I was excited to reunite for another high-profile moment only months later. How did he want to present his rendition differently from others, and how were you guys able to pull that off? Reimagining the National Anthem is always a challenge because it has been performed — at the Super Bowl alone — 57 times before. The goal was to create something that would not only stand out but also move people in a way they hadn’t experienced before. Jon is the perfect artist to take on this challenge, bringing a blend of musicality, storytelling and emotional depth. My role was to provide him with the tools, resources and space to develop and execute his vision. When you’re working with someone as innovative as Jon, the best thing you can do is give them the freedom to create and then support them and lead our internal team in bringing that vision to life. The day before, he put on the Love Riot Festival in New Orleans. What key decisions did you make to help make that happen? When Jon committed to performing at the Super Bowl, it was important to both of us to integrate a meaningful community outreach initiative into the weekend. Jon is from New Orleans, and my mother is as well, so I spent a lot of time there growing up. While most visitors during Super Bowl weekend stay in or near the French Quarter, we wanted to ensure we were making an impact in communities that don’t always receive the same economic boost — particularly the Lower 9th Ward. To bring this vision to life, we sought a partner who shared our commitment to community engagement. We were fortunate to connect with He Gets Us, a faith-driven media campaign that was already involved in this year’s Super Bowl advertising. They became an invaluable partner in helping us realize the festival. My role was to work closely with their team to execute Jon’s vision seamlessly — overseeing guest talent coordination, production logistics, sponsorship integration and advising on the overall audience experience. What were some of the toughest aspects of putting together that festival on Super Bowl weekend? One of the biggest challenges was assembling available production teams and securing guest talent in the middle of one of the busiest entertainment weekends of the year. Super Bowl weekend brings an influx of major events, making it difficult to lock in resources and availability. However, we were able to navigate these hurdles and successfully produce the festival. The end result was incredible — we had over 5,000 people come out for what turned into a beautiful day. The festival featured performances from guest artists like Ledisi, Tarriona ‘Tank’ Ball, Preservation Hall, Flavor Flav and Dee-1, creating an environment that was both celebratory and impactful. From an executive producer standpoint, my role was to ensure everything came together in the right way, including logistical planning for artists to seamlessly move in and out of the festival while keeping the focus on community engagement. You’ve worked at Superfly and Red Light before beginning to work with Jo
JON BATISTE SUPER BOWL NATIONAL ANTHEM LOVE RIOT FESTIVAL NEW ORLEANS COMMUNITY ENGAGEMENT MUSIC BUSINESS ASU CULTURE COLLECTIVE
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