When CPH:DOX shifted from a fall festival to a spring-based fest in 2017, it got out of IDFA’s shadow and grew into one of the most influential documentary events of the year. “It made a big jump i…
shifted from a fall festival to a spring-based fest in 2017, it got out of IDFA’s shadow and grew into one of the most influential documentary events of the year.
For 13 years, CPH:DOX took place in November in the weeks before IDFA, but in 2015 as international industry attendance expanded their presence at the all-doc fest, the decision was made to create more space to, as former Copenhagen Film Festival CEO Steffen Andersen-Møller, put it, “unfold CPH:DOX’s potential.”
Goldman, a two-time Oscar nominee who founded Motto Pictures, has three films at CPH:DOX this year: Roger Ross Williams and Brooklyn Sudano’s “Love to Love You, Donna Summer,” Maite Alberdi’s “The Eternal Memory,” and Nancy Schwartzman’s “Victim/Suspect.”“It’s a wonderful next stop for both films,” Goldman says. “It’s a first look for international audiences.”
Fifth Season’s Blake Levin and Ariel Richter will be at there looking for docus to finance, equity finance, and/or partner on. Richter credits Tereza Simikova, head of industry and training at CPH:DOX, for making the FORUM stand out.
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