No discussion of the fashion industry is complete without considering the key role played in it by photography - the medium that more than any other has helped make fashion a global phenomenon.
. The dispute is essentially one of remit: does fashion photography still have a license to produce idealized fantasies or should its role be to reflect raw, unvarnished reality? Fast-forwarding now to the present day, social media, as well as allowing artists to bypass traditional industry “gatekeepers”, has ushered in
The present moment can always be a little hard to read for those who inhabit it. And yet it is undeniable that we are living through a period of transition. Fashion photography for years has offered a somewhat opaque and distorted reflection of our times, producing elitist, self-referential fantasies.
"Black Nonsense", Vogue Italia September 2020: a cover and a special project by Tyler Mitchell and Jeremy O. Harris inspired by the Dadaists of the early 20th century and thanks to thinkers like Arthur Jafa and Tina CamptLa fashion photography deve riflettere la realtà o raccontare favole idealizzate? Meglio l’eleganza senza tempo dei maestri o la freschezza dei giovani? Il dibattito infiamma le arene digitali. Chi ha ragione? Probabilmente tutti, o forse nessuno.
O riprodurre i nostri ideali in sfaccettature diverse ?!..... ideediverse
🌐 🙂🖐 .. riflettere sempre la realtà, ma sempre con tante eccezioni, non bisogna fermare mai la fantasia! ~ ☝️🙂🗯 .. I capi però vanno indossati, e i designer devono pensare come se li portassero loro ..in un determinato momento questo il segreto! Jobe Seby ⭐️⭐️⭐️
Italia Ultime Notizie, Italia Notizie
Similar News:Puoi anche leggere notizie simili a questa che abbiamo raccolto da altre fonti di notizie.
Fonte: vogue_italia - 🏆 17. / 68 Leggi di più »
Fonte: VanityFairIt - 🏆 14. / 69 Leggi di più »