"You can't make a film for streaming the same way you make a theatrical. You can't. There's different metrics and there's a different approach. Because, like I said, even for the very reason that people can turn off very quickly.
"And they said you can't, because if it goes on and something doesn't happen in the first 30 seconds, we know the data shows that people just will turn off. And I'm like, okay, well, I don't want that. So I make that adjustment, I make that compromise.
Ironically, it proves to be at least mathematically correct, as most of the movies that feel like they were dictated not so much by artistic vision, but by The Algorithm, end up being some of the most popular releases on those streaming services. And what happens when they are a big hit despite everyone not really liking them that much? We get even more of them.
When movies are treated with the same metrics that are given to 30-second videos on TikTok or Snapchat, then you know something has gone terribly wrong. But The Algorithm is only giving audiences what it thinks we want to watch, and audiences only watch what The Algorithm is suggesting for them to watch. It results in an ouroboros of crappy movies being produced and watched, with less and less consideration actually being given to quality.
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