With the success of “Turning Red,” the Pixar film featuring a teenage Chinese-Canadian heroine, the Star spoke with Canadians in the animation industry who are Black, Indigenous and people of colour about what they’d like to see next.“Even if it is a trend, I hope everybody gets in as many as we can while it lasts,” he said. “Everybody, do it now, please!”
I think the first time I saw Black representation was by an animator called Genndy Tartakovsky who did “Dexter’s Laboratory.” There’s a parody Blaxploitation character called Action Hank, a Black man who fights crime that Dexter looks up to. It snowballed into me making my own fan fiction of what these worlds could be. I can draw Action Hank hanging out with Storm.
I made the decision to diversify their skin colours to better represent the human global spectrum. I was unsure how it would be welcomed because most shows focus on white-skinned characters and, although I felt intimidated to present my ideas to my art director, she absolutely loved how diverse it was.
I’d really love to see more cinema for mature audiences be animated. I just directed an animated feature film called “Charlotte,” about a German Jewish woman named Charlotte Salomon who was executed in Auschwitz and left behind an incredible graphic novel. We have a bunch of stories like this that exist but rarely with BIPOC protagonists, so in a way they’d be fresh and new, and would have a lot of great twists from what we’ve seen before.I grew up watching animated films. Anything from Disney to Saturday morning cartoons. You have endless possibilities, it’s flexible, you can use symbolism.
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