, a comedy he wrote, directed and starred in, Edward Burns became part of the same mid-90s independent film scene that blew up Quentin Tarantino, Richard Linklater, Kevin Smith, James Gray, Jon Favreau and Robert Rodriguez all at roughly the same time.
“It wasn’t a good business to make indie films in the late eighties and early nineties.
“If I got the rights to an Edith Wharton novel, you would treat those characters and those rooms with a certain level of respect and that was what we wanted to do here,” says Burns, who worked as a production assistant onThe son of a police officer, Burns’s best friends are still the people he grew up with in Queens.
At the Toronto International Film Festival, Burns has modest goals. After his Guinness, he’s going to order room service and watch the Philadelphia Phillies play a big series against his New York Mets. He’s looking forward to seeing his film with an audience and excited for Ehle to receive what’s sure to be a rousing ovation. He no longer dreams of selling out Madison Square Garden. Ed Burns at 51 says he’s good making people happy at places like McVeigh’s.
“I don’t know how many people will eventually see this movie wherever it shows up and whatever streaming service it will show up on, but as far as my expectations and wishes, I’ve checked my boxes,” he says. “We made a tough little movie and we’re playing Toronto. Tonight, I’m going back up to my room to work on my next script.”
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