Take six queens. Divide by the eighth King Henry. Multiply by 90 minutes of inspired, witty writing, stellar composition, and sparkling design.
Saturday night in northern Alberta, a jubilant Edmonton audience – where the show is holding a pre-Broadway run at the Citadel prior to opening in New York in February – shook off a November blizzard and dove into the queens ofWhen we meet them at the top of the show, Henry VIII’s six wives, dressed in costumes that are a cross between Tudor England and a Beyoncé video before she discovered politics, they immediately fall into a competition for the saddest wife’s life of all of Henry’s...
Created by British twentysomethings Toby Marlow and Lucy Moss for the Edinburgh Fringe, turned into a huge hit in London, from the moment the lights go down, it explodes out at the audience. It features an all-female cast and four-piece band that deliver a smart, hugely entertaining retelling of male mythology – a herstory – of the lives of each of the wives of the infamous king.
In the end, there’s a feminist awakening moment, where they realize that the competition they have constructed is just another misogynist trope that they’ve inflicted on themselves. It’s a smart, self-aware turn that kind of flattens out the show’s final moments. My head liked it, but at the end of 90 brilliantly funny and moving minutes of a musical that meets the current contemporary moment head on, it could use a tweak.
GlobeArts thechristinet did you write a musical?!
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