Review: In Tarragon Theatre’s captivating Cockroach, a bug and a bard teach a boy to survive

, who took over from Richard Rose as leader of the Toronto new-work theatre company during the pandemic. It officially launches Payette’s first full season of programming.begins with a fantastic, in all senses of the word, monologue by Cockroach , who is, in fact, a cockroach. He tells the audience he was conceived by his parents at a Whitney Houston concert in the United States but was born in Hong Kong after being transported there as an egg in one of the diva’s wigs.

The next character to take centre stage is the Bard – and, while I hate to spoil the surprise, he turns out to be The Bard himself, that is, William Shakespeare. He has been summoned in spectral form by the use of one of the expressions he coined by someone in distress. While Ho’s play is on one level about the fracturing of identity caused by immigration, assimilation and colonialism,also has a mystery at its centre. Pieces of the puzzle fall into place to reveal a heartbreaking incident involving the boy in Montreal.

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