Review: Gloria - finally, a media satire that really hits the mark

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Gloria - finally, a media satire that really hits the mark

by the American playwright Branden Jacobs-Jenkins on my bookshelf – but have not read it.

If you think everyone in such a setting might talk like an NPR podcaster, well, the millennial strivers that populate the play definitely do not – and have mouths that could make some of David Mamet’s characters blush. The two are classic office rivals, minus the romantic undertones. Dean, who enters hungover from attending a colleague named Gloria’s awkward housewarming in the first scene , is exhibit A in Kendra’s argument that “schmoozers become boozers.” “Too much networking turns you into an alcoholic,” she says, harshly, accurately.

Jacobs-Jenkins, who first came to prominence with his fascinating dramatic dissection of Dion Boucicault’s 19th-century race/racist melodrama, explores how race, sexuality and class intersect with office politics in a historically white-led institution in an interesting way here. Kendra is, according to the script, Chinese-American or Korean-American, while Dean is “white” and Miles is “Black.” The quotation marks are the playwright’s.is the generation gap – or, rather, gaps.

 

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