If you miss the early days of Soulpepper Theatre Company, when it regularly staged lesser-known international classics in Toronto, get over to the Streetcar Crowsnest before Feb. 9 and introduce yourself to an exuberant young ensemble called the Howland Company., a 1932 romantic tragicomedy by the Austro-Hungarian playwright Odon von Horvath, is fascinating mixture of delight and doom.
Casimir has just been laid off from this unnamed company holding the party, where he worked as a driver for a crass manager named Rankin . Paolo Santalucia has done a very good job of getting the actors to create stylized, entertaining performances that are nevertheless tethered to a recognizable humanity.There’s Sanders , the sheepish head of the fashion department, who cowardly flirts with Caroline only when other more powerful men at the company who have their eye on her aren’t around.
This adaptation gets most topical in a #MeToo subplot related to the growing rumours and then public revelation that Rankin has made a spreadsheet ranking the women in the office by how hot they are. Despite the unsettling timeliness of von Horvath’s plays, they are rarely done in the English-speaking world. Apparently, the peculiarity of his language – Syme describes his dialogue as “often disrupted by silences… full of strange phrases and clichés” in a program note – makes it difficult to translate.
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