Photography exhibit explores the trauma, resilience of Chinese immigrants to Canada

It’s made up of strings with small panels of iridescent stained glass. Each panel has the word “person” written in an oracle-bone format,Calgary Herald Headline NewsEmail AddressBy clicking on the sign up button you consent to receive the above newsletter from Postmedia Network Inc. You may unsubscribe any time by clicking on the unsubscribe link at the bottom of our emails or any newsletter. Postmedia Network Inc.

“My process is always around film,” she says. “I do something with the film. Either I burn it or I paint it or I scratch it. I always put it onto film first and that’s my starting point.” Raeann Cheung’s See How Pu is part of her solo show We Are Immigrant – The Hidden Hardships and Legacy of Early Chinese Canadian Immigrants.Another image, See How Pu , has a direct link to Alberta history. It is based on a photo of a young Florence Ho Leong that was taken in China before she immigrated to Canada in 1922. She arrived a year before the Canadian Immigration Act denied Chinese women access to the country. She was the fourth wife of Way Leong, who was 20 years older than her.

Separation from loved ones was a reality for Chinese immigrants in Canada and a recurring theme in the exhibit. Separated Families 1941, 1951, 1961 starts with an archival photo from the Glenbow Museum of a Chinese man sitting in a chair. His facial features have been obscured by paint that Cheung applied, giving the image a ghostly look. On the top right are the numbers 20,141, 12,882 and 5,380.

Cheung, who has lived in Calgary for the past decade, would eventually earn a Master of Arts in contemporary photography from Falmouth University in the U.K. Her work often addresses the idea of dual identity and the ambiguity of being “neither Chinese nor Canadian.”

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