It was a warm spring day, and I sat at a fold-up table at the construction site of the Go-Go Museum & Café, my latest project, located in the heart of Washington’s historic Anacostia neighborhood in a retail strip The
These narratives are problematic not because they are not technically true. They are problematic because of their parachute focus on maximizing pathology and limiting character development, ignoring historical structures and assets. My students call it “trauma porn.” The genre reveals a mass media blinder to the complexity, vitality and agency of Black people in these neighborhoods.These media distortions have consequences for democracy. We feel this acutely in D.C.
We are grateful for the city’s support, and we are even more grateful to the thousands of people who joined us and demanded it over the years. Thousands of Washingtonians took to the streets as part of the Don’t Mute DC movement to protect go-go music, which Moten and I are co-founders. We pushed hard for the city to pass aWe need them all. We don’t have enough money.
I would have told Foldi that if more people don’t start finding their voice in this country, billionaires will continue to demand public subsidies for getting richer. We are going back to the days before democracy, when we had to bend to the will of a permanent elite. Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.The 2024 election is heating up, and women's rights, health care, voting rights, and the very future of democracy are all at stake.
Anacostia The Spectator Go-Go Museum & Café Matthew Foldi
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