Joan Didion looms large over a wave of talented female essay-writers

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Joan Didion looms large over a wave of talented female essay-writers GlobeArts

Daum, who refers to the fall of 2017 as “the fall of the Fall of Man,” beganin 2016, intending it as a critique of the “excesses” of fourth-wave feminism. Then, Donald Trump won the presidency and the book morphed into “a personal story of feeling existentially unmoored against the backdrop of a country falling apart.

, a collection of crackerjack writing by British Muslim women on, among other things, that divisive piece of clothing. Maria Tumarkin’sapproach, looking at how we process traumas such as suicide through the axioms meant to assuage them. Self-doubt, or at any rate admitting to it, has often been stereotyped as a female thing , so it’s notable that virtually all these women manage to harness doubt as a strength in their essays. One of the many things to love about Pulitzer-Prize-winning TV critic Emily Nussbaum, for example, is her willingness to change her mind , and one of the standout pieces in her warmly chattyreads like a live-streaming of her conflicted thought process about the #MeToo’d men whose work she admires.

, a stunningly long and deep collection of criticism and essays on the writing craft from a master of the extremely-short-story form; and Mary-Kay Wilmers’s, which consists mainly of criticism, mainly about female writers, by theThe persistent view of writing as process and identity as performance in these books suggests most of their authors would agree with Didion’s statement that “I write entirely to find out what I’m thinking.

We’ll have to take her word about that confusion, since the essays that follow sure hide their seams well. Part of what makes Tolentino the essay writer of the moment, and, one hopes, of the future, is her ability to probe millennial culture by cherry-picking from the best of her forebears’ narrative techniques: Malcolm’s slipperiness, Sontag’s rigour, Woolf’s dubiousness and Didion’s remove. Her views are clear, but rarely predictable, making each essay its own thrilling micro-journey.

 

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