to him during a bird-hunting trip to the southern part of the province, where he got a chance to see what the land looked like before wheat replaced the grasslands.
Its central focus is Grey, a disaffected former activist who has tired of the politics and perceived pointlessness of attempting to push the cause of Indigenous rights forward and is now holed up in her uncle’s rural trailer.
For as lived-in as the book’s fringe of despair feels, however, it also offers equally potent and practical bits of grace – and a sharp sense of humour. The relocated bison bring out Grey’s resoluteness, and almost everyone else’s ridiculousness.
Kerr does so through his storytelling, bringing a distinctly Métis perspective back to a place that, as he points out, traded itssystems for colonial ones only 150 years ago. The result may not be as obvious as Grey’s bison or his billionaire daydream, but it’s important to him, his own way to both take up and take back space.
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