. In black and white and shades of grey, his monumental anti-war mural depicts the aftermath of the 1937 German and Italian bombing of the Basque town of Guernica, in support of Spain’s nationalists. As the legend goes, when a Nazi officer visited Picasso’s apartment in German-occupied Paris, he pointed to the mural.Less well known, certainly until this week, is the online literary magazine named after Picasso’s masterpiece.
Born in Britain, Ms. Chen has lived in Israel since she was 16. She refused mandatory military service there and volunteers for Road to Recovery, which takes Palestinian children to Israeli hospitals – the same organization, Ms. Chen notes in her essay, for whichStill, her Guernica piece was decried. Not just by some readers, but by staffers at the magazine, who volunteer their time – or did, because many consequently quit.that she was “deeply ashamed” of Ms.
There is one passage in particular that many have pointed to as evidence of the essay’s awfulness. Ms. Chen writes about a neighbour who, after Oct. 7, tries to calm her children, frightened by the sound of warplanes: “There are, of course, no good booms in war. These booms are from bombs killing people in Gaza. Ms. Chen knows they are not good. Perhaps the neighbour she quoted does as well. These are the lies mothers tell for their children in wartime.
What was Ms. Chen’s great crime? Was it presenting herself as a white, liberal saviour? Or was it simply being Israeli, and daring to write about her experience?about its “uncompromising journalism.” It adds: “If you value Guernica’s role in this era of obfuscation, please donate.”
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