CyberPictures: Bridging traditional film resources with high-quality RWA Assets

Since its inception, the motion picture industry has allowed studios and HNWIs to make and often lose fortunes. However, ordinary individuals have rarely had access to film investments. And CyberPictures is working to change that.gives everyone, even fans, the opportunity to be involved in a film, encompassing everything from creative to financial participation, breaking down an institutional forcefield that formerly kept them out.

Greenberg, a veteran talent agency and producer engaged in the conventional film industry noted that, despite today’s huge box office earnings, the worldwide film industry still confronts structural issues. These include lower production output and tightened budgets as a result of the expansion of social media, streaming, and gaming, all of which have led to industrywide disasters, such as strikes and layoffs.

In the subsequent roundtable discussion, industry experts such as ArkStream Capital Co-Founder Allen Su, dForce Founder Mindao Yang, DigiFT Lead of Research and Innovation Ryan Chen, Republic Crypto Advisory Partner Jonathan Han, and PSE Trading Founder Xiaochen Wang delved deep into the opportunities and risks facing the hot RWA track in today’s market.

2. How does RWA change traditional asset management and investment, especially in the film and television industry? For mid-to-late-stage projects, we follow more compliant Security Token Offerings with regulated fund flow mechanisms. For IPs already in the market, we also experiment with NFT communities to explore community potential.For investors, the biggest opportunity is having a channel to invest in film assets that were previously inaccessible. The challenge lies in risk management because different investors have varying risk tolerance levels, which is why we conduct different project ratings.

9. How do you see RWA and blockchain impacting the long-term sustainability of the film and television industry? 11. How do you ensure the scalability of RWA to meet the needs of film projects? Is protocol standardization or application layer more aligned with the needs of film projects?

Source: Entertainment Trends (entertainmenttrends.net)

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