the latest from multiple Cannes Jury Prize winner Andrea Arnold.is strewn with graffiti, be it on the walls of slovenly flats or a perennially shirtless Barry Keoghan’s tattooed torso. However, one sticker, plastered in an elevator, stands out: I HATE HUMANS.
In Audiard’s undeniably not boring and extremely trashy film, Zoe Saldaña plays a lawyer hired by a vicious Mexican cartel leader to facilitate their sex-change operation, which is performed by an Israeli doctor. Post-op, the now eponymous Emilia 180s her life to start up an NGO to track down the many disappeared victims of narco-fuelled violence, and repatriates her kids and ex-wife from Switzerland to live alongside her in her casa, claiming to be her own long-lost aunt a la.
: Richard Gere’s Leonard Fife is an award-winning documentary filmmaker, whose oeuvre consists of various hot-button exposés on seal clubbing, child abuse in the Catholic Church and residential schools . Alas, excerpts of these works are fleeting: The bulk of the film is a convoluted confessional reflecting its protagonist’s addled state of mind, and could have benefited from a couple of Coppola’s US$120-million.
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