Scott Norsworthy
Less simply, Duddeldam points to a 14-step guide to biophilic design published in 2014 by New York sustainability consultants Terrapin Bright Green that breaks down the approach.For designers, a major appeal of biophilic design is that it solves one of the seemingly intractable facts of modern life. Being ensconced in nature makes us calmer, happier, healthier and more productive.
The risk is created by double-height overlooks from the second level, though the peril is admittedly minimized by safety guard rails. Maybe Lorraine Tuson’s Field of Flowers wallpaper will suffice. The Toronto designer unveiled the pattern at the 2020 Interior Design Show in Toronto, part of Tuson’s goal “to use natural patterns to bring joy and inspiration to the spaces where we live, work and play,” she says.
Both Tseng and Dubbeldam counter that biophilic design doesn’t even require a bigger budget at the outset. “It isn’t necessarily more expensive,” Tseng says. “On higher-end projects, a green, living wall could cost $250 per square foot, but so could a feature-wall with extravagant materials. On lower-budget projects, a client can simply spend on plants.”
Yuck
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