Why Agatha Christie's mousetraps still beguile us, even if the films aren't always killer

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Why Agatha Christie's mousetraps still beguile us, even if the films aren't always killer
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With the release of 'A Haunting in Venice,' two Christie obsessives weigh in on the enduring appeal of an author who's been outsold only by the Bible and Shakespeare.

But having seen the decidedly spooky trailer and the two previous films, I knew this going in. From the moment Poirot set foot on the Orient Express and certainly as he set sail down the Nile, Branagh and screenwriter Michael Green have been deeply committed to making the world’s second most adapted literary detective another man entirely.

I’m generally a defender of irreverent, flagrantly unfaithful adaptations, especially when the book in question isn’t memorable to begin with. Unlike “Murder on the Orient Express” and “Death on the Nile,” both frequently and capably filmed before, “Hallowe’en Party” isn’t a great or even good mystery. I remember finding it one of the more tedious and thinly plotted of the 80 or so Christies I plowed through decades ago, though since I know you’re a fan, Mary, I’m open to giving it another look.

Mary, what are some of your favorite Christie novels, or, if that’s too hard to narrow down, which ones would you like to see Branagh adapt next?I do hope Green and Branagh give us another, and I nominate “Mrs. McGinty’s Dead,” if only so Fey can return as Miss Oliver , and have a conniption over a young playwright’s attempt to make Sven younger, less eccentric and more magnetic to women.

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