Eric Vetro, vocal coach to the stars, breaks down how he helped Chalamet transform into Bob Dylan for the biopic 'A Complete Unknown.'
, opening Dec. 25, didn’t hesitate to give his opinion in a previously unpublished segment of his interviews for our recenton the film. “I think he’s a fantastic singer,” he said, citing Dylan’s recordings of “Blind Willie McTell” and “Mama, You’ve Been on My Mind” as evidence. “Music is subjective and art is subjective. To me, he’s got one of the most beautiful voices of all time.”, explained how he helped Chalamet transform — and why he had to ignore some of his own instincts in the process.
In Timothée Chalamet’s case, he’s probably the definition of charismatic. I swear he has some kind of energy field around him. When he walks in the room, everything just changes. It’s so amazing. I guess you would say it’s that elusive It factor that everyone always talks about, but his wattage is just off the charts., we were very clear about that distinction, because the voices are so different. We were lucky to have more time to work on Dylan than we had on.
Say “me, me, may, may.” Think of it nice and forward, up front in your face, in what would be considered the mask of your face, and go “me, yay yay.” “Me, yay yay, yay.” You see where that is very nasal, it’s very forward. You could also do “me, yee, yee, yee, yee.” You also worked with Monica Barbaro on her portrayal of Joan Baez, which was a wildly different challenge.
My understanding is that there’s a lot more knowledge now of how to get raspy vocal sounds in healthy ways, without hurting your voice.
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