Years before EDM would dominate the airwaves of the early 2010s, artists took its sound, mixed with a healthy blend of punk and pop, to create the electroclash movement in the early 2000s.
In the late ’90s heading into the 2000s, LGBTQ+ representation in popular culture was a matter of novelty rather than one of actualization. Only occasionally could you find a movie or a song that felt like true, affirmative representation for the community.for their unflinching depictions of LGBTQ life.
Sivan, who spent years building a dedicated online fanbase, delivered his most unabashed queer pop anthems in the form of “My My My!” and “Bloom,” earning him his highest Billboard 200 entry to date with his third studio album. Chart accomplishments aside, both Sivan and Kiyoko provided the music industry with two different blueprints for what queer pop stardom could eventually look like, helping usher forth a new generation of LGBTQ talent who weren’t afraid to speak to their minds.
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